(b.1999) 2017年就讀於清華大學藝術設計系創作組及跨領域第二專長哲學學程。
張宏彥的作品是藉繪畫對某些體驗的再現，對他來說不單只是感官經驗，且作為被觀看的作品也不該只是感官經驗，不只是情感的再現或某事件的紀錄，它或許是特定人物在特定地點與時間所累積下來的，非得是對風景如此看法的他才看得見的風景，且無論如何這個體驗應是不可言語的，使之認為需嘗試透過不同的媒介，如繪畫來傳達。
HUNG YEN CHANG's works serve as a nuanced portrayal of specific experiences through the medium of painting. For him, the artistic process transcends mere sensory encounters, emphasizing that the artwork, as an object of observation, should offer more than a sensory experience. It extends beyond the mere representation of emotions or the documentation of particular events. Instead, it may encapsulate the unique perspective of a specific individual at a distinct place and time—a perspective that only he, with his particular outlook, can truly grasp.
Moreover, this experiential depth defies easy verbalization, adding an element of the ineffable. HUNG YEN CHANG believes that such experiences, rich and intricate, warrant exploration through various mediums. In his case, painting becomes a chosen means of communication, allowing for the expression of what words may struggle to convey.
